We need desperately to relearn the art of disposing of buildings to create different kinds of space: the quiet, enclosed, isolated shaded space; the hustling, bustling space pungent with vitality; the paved, dignified, vast, sumptuous, even awe-inspiring space; the mysterious space; the transition space which defines, separates and yet joins juxtaposed spaces of contrasting character.
We need sequences of space which arouse one's curiosity, give a sense of anticipation, which beckon and impel us to rush forward to find that releasing space which climaxes and acts as a magnet, and gives direction.
